Moroccan fireplace remodel
Tile, arch and lantern, layered until the room is enclosed. What that means for a fireplace remodel — what changes, the palette, the dimensions worth checking — and how to try it on a photo of your own room.
What the work actually covers
A fireplace remodel is surround, hearth and mantel — and, increasingly, undoing a television mounted above it. The firebox usually stays; what changes is the material facing it, its proportions, and whether the chimney breast keeps its alcoves or loses them. Taken in Moroccan, the elements on the list — surround material, hearth, mantel and shelf, chimney breast profile — are the ones carrying the look, and tile and arch. zellige and a shaped opening carry the whole style, and no textile substitutes for them.
Making a fireplace remodel read as Moroccan
Moroccan interiors are pattern applied architecturally — zellige tile, carved plaster, arched niches — rather than pattern applied as decoration. The remodel is tiling and openings; the textiles come afterwards. Against a fireplace remodel that means the pieces doing the visible work are low banquette seating, pierced metal lanterns, berber or beni ourain rug, sitting inside whatever the layout already demands.
Palette and materials
Moroccan holds a narrow range: Sand White, Saffron, Rust, Teal Glaze, Indigo, with materials running to zellige tile, carved plaster and wood, pierced brass, wool rugs and poufs. On a fireplace remodel the discipline matters most wherever the largest uninterrupted surface is — keep that inside the range and every smaller decision gets easier.
Dimensions that do not move
A style choice never overrides the geometry. Whatever the finishes, the work still has to hold: Leave 16in of clear hearth in front and 8in to each side of the opening. A mantel sits at 54in for a standard opening; higher and the room stretches, lower and it crowds the fire. Keep alcove joinery to 18in deep — beyond that it projects past the chimney breast and reads as lumpy.
Lighting
Pierced metal lanterns throwing patterned shadow. Light as another form of pattern. Let the fire be the brightest thing in its half of the room. Wash the chimney breast with something low and warm so the material reads after dark, put picture lights on anything hung above, and keep downlights off the surround — they flatten stone and make tile look like a bathroom.
Where it usually goes wrong
The style breaks on sparse modern furniture, cool white walls with no texture, recessed downlights. Independent of any style, this project is most often let down by a television mounted above the fire, too high to watch and too hot to be there. a surround material chosen from a sample rather than seen at full height.
If the space is tight
In a small room, taking the surround material to the ceiling makes the wall taller rather than busier — a mantel with a gap of blank wall above it does the opposite and cuts the height in half. Tile and arch. Zellige and a shaped opening carry the whole style, and no textile substitutes for them.
Questions
- Does Moroccan work for a small fireplace?
- In a small room, taking the surround material to the ceiling makes the wall taller rather than busier — a mantel with a gap of blank wall above it does the opposite and cuts the height in half. Moroccan is helped by that, since tile, arch and lantern, layered until the room is enclosed.
- Which surface matters most in a moroccan fireplace?
- Tile and arch. Zellige and a shaped opening carry the whole style, and no textile substitutes for them.
- Can I see this on my own fireplace?
- Yes. Upload a photo of the room and the Studio remodels it in Moroccan. New accounts get 4 credits and a Standard run costs 4, so there is a full render before anything is paid for.
- What ruins a moroccan scheme?
- Usually sparse modern furniture and cool white walls with no texture.